“I guess that’s why they call him Iron Man,” said Brian
* NOW WITH STAR RATINGS (ala Wrestling Observer Newsletter PPV reports) *
HOW I RATE THE COMICS VIA THE ALAN MOORE SCALE***** Watchmen, Miracleman, V For Vendetta
**** From Hell, Supreme, Swamp Thing, Fashion Beast, League Of Extraordinary Gentlemen (first two series)
*** Axel Pressbutton, Tom Strong
* LoEG: Century: 1969
DUD (or lower) any of his non-comics stuff
1. Superman 3-D #1 (DC, 1997) ***- originally published in Superman 3-D (DC, 1953)
2. Children Of Fire #3 (Fantagor Press, 1988) ***
Writers: Jan Strnad, Richard Corben/Artist: Richard Corben
The highlight is the reprint of an old underground tale called “Kittens For Christian”. The newer yarn is pretty ordinary, but. Beautiful Corben art as usual, though.
3.-4. Giant-Size Sidekick #3-4 (free with Comic Heroes #16-17, 2012-13) ***
They can try to be as nostalgic as they like, but rereading old British strips like Shako (killer polar bear) and Johnny Red (disgraced English pilot now flies for the Russians during WW2) are laaaame.
5. Local Heroes (free with Comic Heroes #16, 2012) ***½
English-based publisher SelfMadeHero is putting out some very interesting graphic novels right now. A few of these could wind up in my collection, including Pachyderme and Deadbeats.
6. The Comics Journal #299 (Fantagraphics, 2009) **** (*** for Eve)
I normally wouldn’t include a comics news’n’interviews mag in this list, but this issue features a complete graphic novel, 1943’s whimsical, text-free Eve by legendary animator Myron Waldman. Actually, I bought TCJ#299 for the extensive feature on (at that point) the greatest comic book never published, The Someday Funnies, compiled by Michel Choquette. This will be discussed in-depth in a upcoming podcast.
7. Occupy Comics #2 (Black Mask, 2013) **½
Stridently righteous. Alan Moore’s left-wing history of comics has become tedious. So has some cynical screed on the uber-rich fucks who destroyed the American (and possibly the world) economy in recent years. And, frankly, don’tcha think this whole 99% “Occupy” bullshit kinda done its 15 minutes? Yeah, me, too.
THE MAN IN THE IRON MASK
IN CELEBRATION of the recent release of Iron Man 3, I decided to read a whole bunch of Iron Man comics I’ve built up over the years. Let’s see if the yarns are as rusty as Shellhead is after he’s been caught in a storm.
8.-27. The Essential Iron Man Vol. 1 (Marvel, 2000) **¾- originally published in Tales Of Suspense #39-72 (Marvel, 1962-65)
Writers: Stan Lee & friends/Artists: Don Heck, Jack Kirby, Steve Ditko Wally Wood & friends
Growing up in the 1970s and 80s, I used to wonder why Iron Man was constantly referred to as a second-string superhero. After all, he was immensely powerful (strong enough to take on Thor in a battle), and was a key member of The Avengers. But this 500+ page B&W omnibus explains why by exploring Shellhead’s crappy past. Don’t get me wrong, I’m glad I read these seminal stories from half a century ago, but boy! Do they suck! The artwork – primarily by Heck – is pedestrian at best. But it’s Lee’s writing that really lets down the series. Where do I begin? The horrible romantic clichés involving the tiresome unconsummated relationship between Iron Man’s alter ego Tony Stark and his secretary Pepper Potts; the love/hate relationship between Pepper Potts and Stark’s chauffeur Happy Hogan; the constant whimpering by Stark about his weak heart preventing him from leading a normal life (he dates movie actresses, is a multi-millionaire and is a genius inventor...yeah, right, I’m sure readers wept for him); regular near-death occurrences where Iron Man has to rush home mid-battle and plug a power cord into a wall socket to re-energise his heart (seriously); the constant recycling of plots (super-villains attack a Tony Stark factory, Iron Man stops them); the boring nature of his foes (for every Mandarin and Hawkeye we got a Jack Frost or The Actor); the lame limitations of Iron Man’s powers back in those days; and the pro-government/anti-Communist propaganda that must have been tiresome even during those Cold War days for pre-teen readers. Need I go on? Luckily, Iron Man was to get better (although it took more than 15 years in his own title). Phew, time to move onto some better-quality, more-recent Shellhead material, me’thinks.
28.-35. Iron Man: The Armor Wars (Marvel, 1990) ***½
- originally published in Iron Man #225-232 (Marvel, 1987)
Writers: David Michelinie, Barry Windsor-Smith /Artists: Mark Bright & Bob Layton, Barry Windsor-Smith
Not the best storyline ever, but still strangely satisfying. Tony Stark discovers that all his Iron Man technology has been stolen and used to enhance armoured supervillains. He decides to retrieve te stolen tech by force, pitting him against a wide array of Marvel Universe baddies – Stilt-Man, Controller, Crimson Dynamo, Titanium Man, etc – along with goodies such as Stingray and the Guardsmen. Iron Man is soon at odds with former friends and allies such as Captain America, Nick Fury, The Avengers and, eventually, the US military. The storyline’s resolved way too easily in the end but Iron Man’s rogue nature and “do-what-must-be-done-and-hang-the-moral-expense” attitude is refreshing in many ways, especially for late 80s Marvel. I enjoyed the trade.
36. The Invincible Iron Man #500 (Marvel, 2011) ***¼
Writers: Matt Fraction & friends/Artists: Salvador Larroca, Kano & friends
I felt like I stepped into the end of a major storyline here. I’m gonna have to go back and read these Matt Fraction-penned Iron Man omnibuses I bought last year and work out what I missed.
37. Iron Man: Viva Las Vegas #2 (Marvel, 2008) **½
Writer: Jon Favreau/Artist: Adi Granov
What a gyp. I thought this miniseries was only two issues long, turns out it’s a four-parter...that was never completed for reasons unknown (boo!), featuring great Adi Granov art (yay!) and sub-part writing by a slumming actor/director (boo!) and guest-starring a rebooted Fin Fang Foom (boo!). Disappointing.
38.-40. Iron Man: Director Of Shield #22-24 (Marvel, 2007-08) ***½
Writer: Daniel & Charles Knauf/Artist: Roberto De La Torre
To be fair, I only bought these issues because they featured Captain Ultra.
41.-46. Iron Man: Industrial Revolution (Marvel, 2011) ***½
- originally published in Iron Man Legacy #6-11 (Marvel, 2010-11)
Writer: Fred Van Lente/Artists: Steve Kurth & Allen Martinez (#6-9), Philippe Briones & Jeff Huet (#10-11), Juan Doe (covers)
To be honest, I only bought this for the cover art – very Soviet, very people’s revolution. This “untold” story from Iron Man’s past is fine and features interesting appearances from the Serpent Society, The Pride, obscure villain The Hangman, Herbie the Robot and The Illuminati, as well as Tony Stark during his “I’m a destitute recovering alcoholic” period in his career. That said, a tale like this is innately damaged because it’s set in Stark’s past so we know he’s not going to die, nor is the storyline gonna fuck up what happens later. It’s essentially meaningless. But IMIR is still a fun read, especially as the entire conflict is based on a thoroughly sitcom-ish mistaken identity/two parties at cross-purposes cock-up. Very 80s.
47. Clive Barker’s Next Testament #1 (BOOM!, 2013) ***¼
Writers: Clive Barker & Mark Miller (no, not THAT Mark Millar)/Artist: Haemi Jang
48. The Phantom #1663 (Frew, 2013) ***
Writer: Jim Shepherd/Artist: Keith Chatto
A reprint of Phantom #951A from 1990, the first all-Australian produced Phantom tale. This came out to commemorate the recent death of Shepherd, who did much to maintain the Phantom’s popularity in this country in the 80s and 90s and into the 21st century.
49.-54. Saga Vol. 2 (Image, 2013) ****
- first published in Saga #7-12 (Image, 2013)
Writer: Brian K. Vaughan/Artist: Fiona Staples
55.-58. Deathmatch Vol. 1 (BOOM!, 2013) ****¼
- originally published in Deathmatch #1-4 (BOOM!, 2012-13)
Writer: Paul Jenkins/Artist: Carlos Magno
Marvel Secret Wars done right.....and much bloodier. A damn good read so far, much better than I expected, actually.
59.-63. Ed Burns’ Dock Walloper (Virgin Comics, 2008) **¾
- originally published in Dock Walloper #1-5 (Virgin, 2007-08)
Writers: Ed Burns & Jimmy Palmiotti/Artist: Siju Thomas
A gangster tale that doesn’t quite make the grade, although Siju’s Kirby-influenced art is nice in parts (but amateurish in others). A gangster with a big right hand (literally) slowly begins his rise to power in 1920s New York. This is nothing I’ve not seen before in Hollywood flicks.
64. Groovy Gravy #11 (Edge Comix, 2009) DUD
Even a cool cover plus various strips by good friend Mister J can rescue this Aussie comic. It’s the utter shits.
65. Nuts: A Graphic Novel by Gahan Wilson (Fantagraphics, 2011) ****66. Marble Season by Gilbert Hernandez (Faber, 2013) ****
The world of kids – in all its casual brutality, day-to-day fun, banal activities and things far more meaningful (although we were all too young to fully understand them at the time) – are captured in two very different books. Nuts was a regular strip in National Lampoon from 1972-86. This book collects all the strips, childhood experiences appraised with a more cynical adult eye (and infused with a 1970s post-Watergate/JFK cynicism). This is far darker than anything Wilson ever drew for Playboy magazine. As for Marble Season, the work is far more innocent and playful, but still there are big issues hanging around the periphery, on the edges of the comic panels. Both books end nowhere in particular. The principal stars are still in the midst of their childhood, a little wiser but still young and reckless enough not to care too much about the mistakes they’re inevitably going to make in the years ahead. I envy them a little.