* NOW WITH STAR RATINGS (ala Wrestling Observer Newsletter PPV reports) *
HOW I RATE THE
COMICS VIA THE ALAN MOORE SCALE
***** Watchmen, Miracleman, V For Vendetta**** From Hell, Supreme, Swamp Thing, Fashion Beast, League Of Extraordinary Gentlemen (first two series)
*** Axel Pressbutton, Tom Strong
** Promethea
* LoEG: Century: 1969
DUD (or lower) any of his non-comics stuff
1. Dinosaurs
vs Aliens (Dynamite, 2012) ***¼
Writers: Grant
Morrison & Barry Sonnenfeld/Artist: Mukesh Singh
Exquisite
art, an interesting idea (aliens as cowboys, intelligent dinosaurs as Indians),
but this is only part one of a bigger story. Where’s part two, Mr Morrison?
2. SVK
(Berg, 2011) ***
Writer:
Warren Ellis/Artist: D’Israeli
An adequate
spy yarn gets gussied up with digital trickery via a UV light (that comes with
the comic) revealing hidden speech balloons and other important messages. You
can read the book twice (once without the light, once with) and the second time
has more depth due to the UV. But, ultimately, it’s just another form of
gimmickry, ala 3D comics. It can’t hide the fact that Ellis is slumming it in
this comic (although it’s nice to see him pair up with former Lazarus
Churchyard co-conspirator D’Israeli). Also, this was the most expensive comic
I’ve ever bought. Disappointed just a little? Yes.
3. Simon
Spector #1 (Avatar/Apparat, 2004) ***½
Writer:
Warren Ellis/Artist: Jacen Burrows
4. Frank
Ironwine #1 (Avatar/Apparat, 2004) ***¾
Writer: Warren
Ellis/Artist: Carla Speed mcNeil
5. Quit City
#1 (Avatar/Apparat, 2004) ***¼
Writer:
Warren Ellis/Artist: Laurenn McCubbin
In 2004,
Ellis wrote four one-shots that were intended as his vision of how pulp tropes
might have developed into comics in the 21st century if superheroes
hadn’t got in the way. I’ve already enjoyed the sci-fi/steampunk tale Angel
Stomp Future a few years back, and I finally got round to reading the other
three. Quit City (aviator hero) is the weakest due to McCubbin’s awkward art
heavily relying on photo references. Simon Spector (Doc Savage-style hero) has
nice art by Burrows but the tale is forgettable. I most enjoyed Frank Ironwine
(intelligent police detective), not for the tale as such but the realisation
that this was Ellis laying the groundwork for the novel he’d write eight years
later, Bone Machine. It’s interesting to see how that novel’s protagonist is
basically Ironwine with less of a drinking problem and a different name. Of the
four titles, I wish Ellis had kept on producing Frank Ironwine stories.
6.-9. Jack
Cross #1-4 (DC, 2005-06) ***¼
Writer:
Warren Ellis/Artist: Gary Erskine
10. Nemo:
Heart Of Ice (Top Shelf, 2013) ****
Writer: Alan
Moore/Artist: Kevin O’Neill[READ MY THOUGHTS ON IT HERE]
11. Supergod
(Avatar, 2009) ***¾
Writer:
Warren Ellis/Artist: Garrie Gastonny
12.-14. Neil
Gaiman’s Midnight Days (Vertigo, 1999) ***½
- originally
published in Swamp Thing Annual #5, Hellblazer #27 & Sandman Midnight
Theatre (Vertigo, 1989-99)Writer: Neil Gaiman/Artists: various
15. Angel
Fire (Carlton, 2007) ***
Writer: Chris
Blythe/Artist: Steve Parkhouse
Whoever
wrote Jacob’s Ladder should totally sue these guys for plagiarism
16. Kill
Your Boyfriend (Vertigo, 1998. Originally published 1995) ***¼
Writer:
Grant Morrison/Artists: Philip Bond & D’Israeli
17. Hell
Eternal (Vertigo, 1998) ***½
Writer:
Jamie Delano/Artist: Sean Phillips
18.-32. Nemesis The Warlock Vol. 1 Books 1-4
(Rebellion, 2010) ***½
- originally
published in 2000AD (IPC, 1980-83)Writer: Pat Mills/Artists: Kevin O’Neill; Jesus Redondo; Bryan Talbot
33. Kickback
(Dark Horse, 2006) ***¼
Writer/artist:
David Lloyd
34.-40.
Kick-Ass 2 (Icon, 2012) ***¾
- originally
published in Kick-Ass 2 #1-7 (Icon, 2010-11)
41. Hit-Girl
#5 (Icon, 2013) ***¾
Writer: Mark
Millar/Artist: John Romita Jr
42. Tales
From Beyond Science (Image, 2013) ***½
- originally
published in 2000AD (IPC, 1992, 1994)Writers: Mark Millar; John Smith; Alan McKenzie/Artist: Rian Hughes
43.-46.
Yesterday’s Tomorrows (Image, 2010) ****
- originally
published in various magazinesWriters: various/Artist: Rian Hughes
I love Hughes’
1950s retro art, and these two books are chockers with it, but the absolute
highlight for me comes in Yesterday’s
Tomorrows with the complete Dare
(written by Grant Morrison), which originally ran in Revolver, then Crisis
magazines from 1990-91. A grim reimagining of the Dan Dare mythos – this is
just brilliantly bleak storytelling.
47.-48.
Fashion Beast #6-7 (Avatar, 2013) ****
Writers:
Alan Moore, Malcolm McLaren & Antony Johnston/Artist: Facundo Percio
49. Happy!
(Image, 2013) ***¼
Writer:
Grant Morrison/Artist: Darick Robertson
A kinda flat
ending. Not one of Morrison’s best efforts. Leave the nasty stuff to Mark
Millar and Garth Ennis, eh?
50. America’s
Got Powers #5 (Image, 2013) **¾
Writer: Jonathan
Ross/Artist: Bryan Hitch
Is it me or
has this series gone completely to hell? I may need to re-read the bloody thing
next month from start to finish, but right now I’m struggling to follow the
story and I’ve lost interest in all the characters. Also, it feels like the
storyline has changed mid-track and I don’t like where it’s going now.
Disappointing fifth issue, but I’ll see how the damn thing concludes.
51.-53.
Fury: My War Gone By (MarvelMAX, 2013) ****¼
Writer:
Garth Ennis/Artist: Goran Parlov
Quite
possibly the best ongoing series Marvel is putting out right now. A war comic
masquerading as a retelling of Nick Fury’s lost years before he joined
S.H.I.E.L.D. This latest arc features a pre-Punisher Frank Castle, but he’s
still just as scary. I just love this series to death – who knew Marvel could
publish genuinely entertaining non-cape stuff? J


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