*
NOW WITH STAR RATINGS (ala Wrestling
Observer Newsletter PPV reports) *
NEW!
HOW I RATE THE COMICS VIA THE GRANT MORRISON SCALE
*****
All-Star
Superman, We3
****
Zenith,
New X-Men (the early issues), Batman
Inc., Batman & Robin, Dare, Arkham Asylum
*** Seven
Soldiers
** Final
Crisis, Flex Mentallo
*
Marvel Boy
DUD
(or lower) Nameless, later New X-Men and any of his hippy-dippy,
pseudo-mystical crap
WE LOVE libraries in our
household. Despite owning thousands of books we still go regularly to our local
library and borrow more. While the kids are the primary users, I’ve started
frequenting the graphic novel section a bit in recent months. It’s a good
opportunity to borrow books that I would NEVER buy but still want to read. Here
are a selection of library books that I read this month.
1.
The Sacrifice (Allen & Unwin, 2008)
***¼
Writer/Artist: Bruce
Mutard
I’ve known Bruce Mutard
for a long time – in fact, the veteran cartoonist once contributed a two-page
strip to my zine Betty Paginated in the mid-90s. While he’s done graphic novels
before (such as The Silence and The Bunker), The Sacrifice is his most
ambitious project to date. I’m not sure it was entirely successful but it was
a noble effort and truly feels like a
“great Australian novel” rather than a graphic novel. It’s the story of Robert
and his struggle to balance his pacifist, Communist ideals with the reality of
a looming war in Europe. He befriends Austrian Jewish refugees, including their
talented daughter Mata. Too much of the first two thirds of the book is filled
with unwieldy, unrealistic dialogue that explains the cultural and political
climate in Australia in 1939, but it’s hard to wade through. The book really
picks up in the final third when Robert eventually joins the army and enjoys a
final weekend of leave before being shipped abroad. He finds his mentally
fragile mother living in squalor in her house, while a precocious Mata has run
away from home, having developed a teen gal thing for men in uniform. Robert’s
journey through the sleazy underbelly of Melbourne while looking for her makes
compelling reading.
The Sacrifice was meant
to be the first in a trilogy detailing Robert’s life, but sadly there have been
no more graphic novels forthcoming. Which is a pity – after a shaky start, The
Sacrifice eventually blossomed into a legitimately impressive novel and,
possibly, the finest work in Mutard’s career to date.
2.
Whatever Happened To The World Of
Tomorrow? (Abrams ComicsArt, 2009) ***½
Writer/Artist: Brian
Fies
This graphic novel made
me sad. The exotic ideals of 70-80 years ago of what the future would look like
– and the excitement of the Space Race of the 1950s and 60s – turned out to be
a fallacy driven by commercial opportunism and Cold War one-upmanship. Optimism
fell victim to cynicism and scepticism. Man’s dreams of looking outward to the
universe was dropped for a more financially practical plan of looking inward.
Instead of jetpacks we got iPhones. Fies makes a case for mankind to return to
that optimism, but I’m not optimistic that will ever happen. We are a
mean-spirited, narrow-minded, short-sighted race. Travelling to the stars is
not on the agenda, and never will be again. Man, I felt so bummed after reading
this book.
3.
Squirrel Girl’s first appearance in Marvel
Super Heroes #8 (Marvel, 1992) ***¼
- as reprinted in Unbeatable Squirrel Girl Vol. 1 (Marvel,
2015)
["The Coming
of...Squirrel Girl!"] Writers: Steve Ditko and Will Murray/Artist: Steve
Ditko
A hefty 22-page introduction
to a chick who only 13 years later would join The Great Lakes Avengers and, a
mere 10 years later, star in her own mega-huge series. This tale isn’t great,
by any means, but it’s fun. And it’s Ditko.
4.-7.
The Books Of Magic: The Deluxe Edition
(Vertigo, 2013) ****
- originally published
in The Books Of Magic #1-4 (Vertigo, 1990-91)
Writer: Neil
Gaiman/Artists: John Bolton, Scott Hampton, Charles Vess, Paul Johnson
8.-13.
Batman ’66 Meets The Green Hornet
(Dynamite, 2015) ***½
- originally published in
Batman ’66 Meets The Green Hornet
(Dynamite, 2014)
Writers: Kevin Smith and
Ralph Garman/Artists: Ty Templeton and friends (interiors); Alex Ross (covers)
14.
MirrorMask (Bloomsbury, 2008) ***½
Writers: Neil Gaiman and
Dave McKean/Artist: Dave McKean
Technically, a
children’s book but it contains soooo many of Dave’s beautiful illustrations
that I’m going to take a liberty and call it a graphic novel. Anyhoo, this is
basically an inferior version of Neverwhere.
Still good, but not as good as the original. The book also includes stills from
the movie, which I now have to watch.
15.-26.
Guardians Of The Galaxy Complete
Collection by Abnett and Lanning Vol. 1 (Marvel, 2014) ***¾
- originally published
in Guardians Of The Galaxy #1-12
(Marvel, 2008-09)
Writers: Dan Abnett and
Andy Lanning/Artists: Paul Pelletier (interiors #1-7), Brad Walker and friends
(interiors #8-10); Wesley Craig (interiors #11-12); Clint Langley (covers
#1-10); David Yardin (covers #11-12)
Funny to see Wes Craig
of Deadly Class fame doing his
“cosmic superhero” thang here.
27.-31.
Giant Size Little Marvel AvX (Marvel,
2016) ***
- originally published
in Giant Size Little Marvel AvX #1-4
(2015) and A-Babies vs X-Babies
(Marvel, 2012)
Writer: Skottie Young /Artists:
Skottie Young (AvX #1-4); Gurihiru (A-Babies vs X-Babies)
Urrrgggh. I tried to
ignore Secret Wars and the whole “Battleworld” schmozzle at Marvel last year.
However, I love Scottie Young’s artwork and the “Marvel babies” concept, so I
grabbed this book to read. Hey, it was FREE...but it was forgettable fluff.
32.-36.
Dirk Gently’s Holistic Detective Agency:
The Interconnectedness Of All Kings (IDW, 2016) **
- originally published
in Dirk Gently’s Holistic Detective
Agency #1-5 (IDW, 2015)
Writer: Chris
Ryall/Artists: Tony Akins (#1-2), Ilias Kyriazis (#3-5) and friends
Douglas Adams wrote one
of the great sci-fi comedy trilogies (The
Hitchhiker’s Guide To The Galaxy, The Restaurant At The End Of The Universe and Life, The Universe And Everything) and
three other books that added nothing to the series. He then moved onto the Dirk Gently book series that, frankly,
sucked balls. I hated the books when I first read them 30 years ago. It was
twee claptrap that meandered along for 200 pages, then resolved the plot at a
breakneck speed in the final 30 pages. Utter tosh that wasn’t a patch on Hitchhiker. This comic adaptation only
reaffirmed my distaste for Dirk Gently.
Nice art, but I want bit more in my comics than that. Anyway, true Douglas
Adams fans should avoid this graphic novel.
37.-42.
Captain Marvel Vol. 1: Higher, Further,
Faster, More (Marvel, 2015) ***
- originally published
in Captain Marvel #1-6 (Marvel, 2014)
Writer: Kelly Sue
DeConnick/Artist: David Lopez
Not sure what the fuss
is all about. This series was average at best.
-----------------------
43.
Where Bold Stars Go To Die (SLG
Publishing, 2009, 2013) ***½
Writer: Gerry
Alanguilan/Artist: Arlanzandro C. Esmeña
A poignant tribute to
the Philippines’ soft-core erotic film starlets of the 1960s and 70s. The story
is made more poignant by the fact that the lovely good-girl art was Esmeña’s
first and last published work before his untimely death from cancer.
44.
Battlefields: The Green Fields Beyond
#1 (Dynamite, 2012) ****
Writer: Garth
Ennis/Artists: Carlos and Hector Ezquerra (interior); Garry Leach (cover)
45.
The Creeps #2 (Warrant, 2015) ***
Writers/Artists: various
A nice homage to Warren
Magazines’ Creepy, with talent on
board such as Rich Buckler, Ralph Reese, Roger McKenzie, Mort Todd and
Australia’s own Jason Paulos. It’s topped off by a gorgeous painted cover by
Sanjulian.
46.
Jungle Action featuring The Black Panther
#5 (Marvel, 1973) **½
Writer: Roy
Thomas/Artists: John Buscema and George Klein
47.-48.
WWE Kids #118-119 (DC Thomson &
Co, 2017) ****
Writers/Artists: various
The strips suck, but I
looooove this magazine, especially for the beaut tip-ons.
49.-54.
Saga Vol. 7 (Image, 2017) *****
- originally published
in Saga #37-42 (Image, 2016-17)
Writer: Brian K.
Vaughan/Artist: Fiona Staples
Arguably the most powerful
book I’ve read this year and easily the best volume of this incredible series
to date. Volume 7 is a damning indictment on racism, governments’ callous treatment
of refugees, blind faith and the way innocents are the ones who suffer most in
times of war. A couple of beloved characters die brutally in this story arc,
but the most poignant scene comes on the final few pages when Hazel loses her
best friend in the most futile, tragic way possible. It was painful to read. It
was beautiful. Brian K. Vaughan and Fiona Staples have excelled themselves in
this arc. I’m not sure how Saga could
be any more heart-achingly wonderful.
55. Albion
Origins (Titan Books, 2007) ***¾
Writers:
various/Artists: various (interior); Brian Bolland (cover)
I didn’t think much of
the Albion miniseries written by Leah Moore, but it was because of that misstep
that Albion Origins was released.
When I was a kid I adored the House Of Dolmann, a 1960s strip that was
reprinted in British weekly Valiant and
Lion in the mid-70s. In it, a brilliant scientist called Dolmann invented a
bunch of deadly puppets to fight evil. There was a super-strong sumo wrestler
Togo, A British commando with different guns at his disposal called Raider, a
clawed digger called Mole and many more. Making it even kookier, he would throw
his voice to make his puppets “talk”. Anyway, the series rocked and it’s been
collected in this book, which also includes other oddball British supernatural
series such as Kelly’s Eye, Cursitor Doom and Janus Stark. I scored this cheap
on eBay and it’s pretty damn cool.
56.-62.
Fear Itself: The Home Front #1-7
(Marvel, 2011) ****
Writers/Artists: various
Surprisingly, the best
yarn in this maxiseries from the otherwise mediocre “event”, was the Speedball
tale (Writer: Christos Gage/Artist: Mike Mayhew). There were also good yarns
about Agents Of ATLAS (#1-4) and the Great Lakes Avengers (#6).
63.
Secret Empire #0 (Marvel, 2017) ***¼
Writer: Nick
Spencer/Artists: Daniel Acuña and Rod Reis (interior); Ben Butcher (Marvel Collector
Corps cover)
64.-65.
New Avengers #15-16 (Marvel, 2011)
***½
Writer: Brian Michael
Bendis/Artist: Mike Deodato
Bought these because I
am a Squirrel Girl completist. This was part of the Fear Itself storyline, which was a kinda lame “event”.
66.
Stray Bullets: Sunshine And Roses #23 (Image, 2017) *****
Writer/Artist: David
Lapham
67.-72.
Surgeon X Vol. 1 (Image, 2017) ***
- originally published
in Surgeon X #1-6 (Image, 2016-17)
Writer: Sara
Kenney/Artist: John Watkiss
I expected much more
from this series after reading a preview a few months back. But I found the
series a chore to get through. The late Watkiss’s art has a nice David Lloyd’ish
quality to it, but Kenney’s quirky, unconventional storytelling technique didn’t
work for me.
73.-77.
Cage! (Marvel, 2017) ****½
- originally published
in Cage! #1-4 (Marvel, 2016-17) and Luke Cage, Hero For Hire #1 (Marvel,
1972)
Cage!: Writer: Genndy Tartakovsky/Artists: Genndy
Tartakovsky and Stephen DeStefano
Hero
For Hire: Writer:
Archie Goodwin/Artists: George Tuska and Billy Graham/“Creative contributions”:
Roy Thomas and John Romita
78.-81.
Cannibal Vol. 1 (Image, 2017) ***½
- originally published
in Cannibal #1-4 (Image, 2016-17)
Writers: Brian
Buccellato and Jennifer Young/Artist: Matias Bergara
82.
Logan’s Run Annual (Brown Watson,
1978) ***
Writer: Steve Moore /Artist:
David Lloyd
I read an interview with
V For
Vendetta artist David Lloyd recently and he talked about how his very first
paid job was doing all the art for this annual. Naturally, I tracked it down on
eBay and found a very good quality, cheap copy. For a novice, Lloyd’s art is
already well-defined and not too dissimilar to what he’d create a few years
later alongside Alan Moore in Warrior
magazine. The British annual is a mixture of strips, short stories, puzzles and
articles about the short-lived TV series. Moore’s stories are perfectly
acceptable. In fact, probably better than the quality of the actual scripts in Logan’s Run.
FAIR ENOUGH
BY ACCIDENT, I learned
about the Adelaide Toy and Comic Fair
while visiting the city in late April. So I dropped in on the Saturday morning
and bought a ton of cool comix from local creators. I was informed that Adelaide
has a vibrant comics scene, which is obvious from the high-quality material I
picked up (and even the stuff that I’ve bought previously in Sydney from dudes
like ComicOz, who publish DECAY and Retro Sci-Fi Tales).
My thanks to Anthony and
Miranda for the long, friendly chats we had on the day. You guys are all very
talented folks.
83-85.
In For The Krill #3-5 (Panic
Productions, 2010-16) ***¾
Writers: Jill Brett and
Greg Holfeld/Artist: Greg Holfeld
A crime noir tale
involving penguins? Hey, it works for me. There’s a conspiracy happening on the
ice floe, but who’s gonna believe the son of a cannibal, who’s main claim to
fame is terrible haikus? Murder, mayhem and tenpin bowling...this entertaining
series has it all. Holfeld’s art is amazing, even though I found it hard
sometimes to distinguish between all the main penguin characters.
Find out more about the
series at http://inforthekrill.tumblr.com/.
86.-88.
Sovereign’s Dread Book 1 (Comics On
Demand, 2016) ***¼
Writer/Artist: James
Wilkinson
I’m listing this as
three comics as this classy-looking, A5 graphic novel – the product of a
successful Kickstarter project – is broken into three issues by Wilkinson. His Photoshop-enhanced
artwork is a bit hit’n’miss, but is spectacular at times and the lush paper it’s
printed on doesn’t hurt either. A young guard, a cynical warrior and an
arrogant royal from different kingdoms are thrown together when a supernatural
army invades their world. I first saw the idea of magic being like a drug explored
in Buffy The Vampire Slayer, and Sovereign’s Dread explores that theme as
well. Contact James on how to get your copy at wilkinson.peter.james@gmail.com.
89.
Dappled (New London, 2016) ***¾
Writer: Anthony N.
Castle/Artist: Chadwick Ashby
I got talking to Anthony
at the fair and he was a really nice guy (as I’m sure is Chadwick, but I didn’t
really chat to him as much as Anthony). Anyway, these guys strive to produce
work as good as anything you’d see from Image, and I’d say they’re succeeding. Dappled is a stark, B&W horror tale
that touches on the taboo subjects of suicide and self-harm in teenagers. It’s
pretty damn good.
90.
Rag Doll (New London, 2015) *****
Writer: Anthony N.
Castle/Artist: Chadwick Ashby
Dappled cost $6 but the
guys struggled to find change for my tenner. I told them to keep the change. Instead,
they gave me Rag Doll – and I’m so glad they did. This is a wonderful tale
about a discarded old rag doll trying to find a new home before making a brave
and heartbreaking decision in a rubbish tip. The story is whimsical, sad but
ultimately uplifting while the art would fit nicely into a children’s book. In
fact, Rag Doll could be reformatted
as a children’s book and I think it would sell very well. I enjoyed it a
helluva lot.
Anthony and Chadwick are
a formidable team. Check them out at www.newlondoncomics.com
and www.facebook.com/newlondoncomics.
91.-93.
Hail #1-3 (self-published, 201?) ***¾
Writer: Miranda
Richardson/Artists: Rosanna Lam and friends
I chatted with Miranda
for a while and had a lovely discussion about the Adelaide comix and zine
scene. I picked up the first three issues of Hail and it turned out to be
another revelation. Hail is superficially
a superhero tale, but it’s also a story about a woman with severe anxiety
problems and her battle to deal with them. But she’s not alone in her fight. Lena
literally shatters like glass and falls to pieces when under duress. Friends
encourage her to take this crippling disability and turn it into a positive by
fighting crime. By the end of issue three, Lena is a fully functioning
superhero with an amazing support team. It’s a very uplifting story and I found
the characters extremely likable. Rosanna’s art is part-manga, part-realistic
and all good. Support this great local comic by heading to www.hailcomic.com.
And on a related note...
I’M ALWAYS happy to
support the local comic scene, especially those that make it to newsagency
shelves. So...naturally, I grabbed this mag when I spotted it on the stands.
94.
Kid Phantom #1 (Frew, 2017) ***½
Writer: Gabriel Henriquez/Artist:
Paul Mason
So this is The Phantom’s version of Superboy ,essentially: how a young Kit
Walker became the Phantom. Interesting kick-off issue with FREE stickers (which
I’ll never complain about). The story wasn’t the strongest, but I enjoyed Mason’s
art and I love the idea that it’s an ongoing series, so readers can see how
young Kit blossoms and grows into the masked hero we know and love. So, it’s a
cool A5 full-colour comic, but will anyone buy it? Who knows, especially at AUD
$7.95? There are a lot of loyal Phantom fans who buy the regular comic, so
maybe Frew have hit a home run here. We’ll know for certain if and when a
second issue appears.





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